Jim Campbell

-> Arbeit in FUTURE CINEMA

-> Arbeit in FUTURE CINEMA

[USA]

Künstler

* 1956, Chicago [USA]
lebt und arbeitet in San Francisco [USA]

Auszeichnungen und Stipendien | Einzelausstellungen | Gruppenausstellungen | Werke in öffentlichen Sammlungen | Bibliographie | Linkempfehlungen

2002
Langlois Foundation Grant, Montreal, Quebec [CDN]

2000
Langlois Foundation Grant, Montreal, Quebec [CDN]
Interactive Art [lobende Erwähnung], Ars Electronica, Linz [A]

1999-2000
Fellowship Award [Multimedia], Rockefeller Foundation, New York [USA]

1999-2001
Eureka Fellowship Award, Fleishhaker Foundation [USA]

1998
Interactive Art [lobende Erwähnung], Ars Electronica, Linz [A]

1996
SECA Award, San Francisco [USA]

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Einzelausstellungen :

2004
"untitled", Palo Alto Art Center, Palo Alto [USA]

2003
"untitled", Matrix Series, Berkeley Art Museum [USA]
"untitled", Site Sante Fe, New Mexico [MEX]
"untitled", Exploratorium, San Francisco [USA]

2002
"untitled", Nagoya City Art Museum, Naogya [J]
"Motion and Rest", Arizona State University Tempe [USA]
"untitled", Hosfelt Gallery, San Francisco [USA]
"untitled", Gallery 2211, Los Angeles [USA]

2001
"Time and Data", Wood Street Gallery, Pittsburgh [USA]
"Contemporary Configurations", Santa Cruz [USA]
"Time, Memory and Meditation", Anderson Gallery, VCU, Richmond [USA]

2000
"untitled", Hosfelt Gallery, San Francisco [USA]
"untitled", Yerba Buena Center for the Arts, San Francisco [USA]
"untitled", Cohen Berkowitz Gallery, Kansas City [USA]

1999
"Transforming Time", (catalogue) Nelson Art Museum, ASU, Tempe [USA]

1998
"Reactive Works", San Jose Museum of Art San Jose [USA]

1997
"Digital Watch", Kemper Museum, Kansas City [USA]
"Reactive Works", Art Center College of Design, Pasadena [USA]

1996
"Electronic Art", Cohen Berkowitz Gallery, Kansas City [USA]

1995
"Dialogue", Rena Bransten Gallery, San Francisco [USA]

1994
"Hallucination", Southeastern Center for Contemporary Art, Salem [USA]

1992
"Electronic Art", Rena Bransten Gallery, San Francisco [USA]

1991
"Hallucination", Fresno Art Museum, Fresno [USA]

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Gruppenausstellungen/ Film Screenings :

2002
"Taipei Biennial", Taipei Fine Arts, Museum, Taiwan [RC]
"Busan Biennial", Busan Metropolitan Art Museum, South Korea [ROK]
"Whitney Biennial", Whitney Museum of American Art, New York [USA]
"Artficial Emotion", Sao Paolo [BR]
"Media Art", Daejeon Municipal Museum of Art, South Korea [ROK]
"Situated Realities", Maryland Institute College of Art [USA]
"High Tech / Low Tech Hybrids", Bedford Gallery, Walnut Creek [USA]
"untitled", University of South Florida, Tampa [USA]
"untitled", Seattle City Hall, Seattle [USA]
"Primal Graphics", Creative Time, Battery Park Site, New York [USA]

2001
"Interaction 01", Gifu [J]
"Untitled", Gallery 2211, Los Angeles [USA]
"Bitstreams", Whitney Museum of American Art [USA]
"Conceptual Colors in Albers' After Image", San Francisco State Univ. [USA]
"Figuration", Hosfelt Gallery, San Francisco [USA]
"Highlights Festival", Montreal, Quebec [CDN]
"Eureka Fellowship Show",San Diego Museum of Contemporary Art [USA]
"168 Light Bulbs", Wood St Gallery, Pittsburgh [USA]
Video Set Design for ODC Dance Troupe, San Francisco [USA]
"White Circle", Highlights Festival, Montreal, Quebec

2000
"Ars Electronica", Linz [A]
"Vision Ruhr", Dortmund [D]
"Eureka Fellowship Show", San Jose Museum of Art [USA]
"Scanners", Califorina College of Arts and Crafts Oakland [USA]
"Direct Current", Byron Cohen Gallery, Kansas City [USA]
"Plugged In", Todd Madigan Gallery, California State University Bakersfield [USA]
"Illuminations", Ackland Art Museum, Chapel Hill New York [USA]
"Timekeepers", SF Camerawork, San Francisco [USA]

1999
"New Voices New Visions", Univ. Art Gallery UCSD San Diego [USA]
"Digital Hybrids", McDonough Museum, Youngstown [USA]
"The Photographic Image", National Museum, Kwachon, Korea [ROK]
"Facing Fear", San Francisco Arts Commission Gallery [USA]
"The Body", Salina Art Center, Salina, Kansas [USA]
"Electronic Art", Weston Art Gallery Cincinnati [USA]

1998
"Body Mecanique", Wexner Art Center, Columbus [USA]
"Digital Poetics", Sherry Frumkin Gallery Los Angeles [USA]
"Bay Area Technology Art", Haines Gallery, San Francisco [USA]
"Art & Technology", Duke University Museum, Durham [USA]

1997
"Bienale", ICC Center, Tokyo [J]
"Serious Games", Barbican Gallery, London [GB]
"Interaction 97", Gifu [J]
"Meditations in Time", San Francisco Museum of Modern Art [USA]
"Digital Decisions", Art Acadamy of Cincinnati, Ohio [USA]
"451 Degrees", San Francisco Arts Commission Gallery [USA]

1996
"Creative Time--Art in the Anchorage", Brooklyn [USA]
"Seca Awards Show", San Francisco Museum of Modern Art [USA]
"Transformers", Auckland City Art Gallery, New Zealand [NZ]
"Interactivity", Salina Art Center, Salina, Kansas [USA]
"Techne", San Francisco Arts Commission Gallery [USA]
"Mortal Coil", Sesnon Art Gallery UC Santa Cruz [USA]

1995
"New York Digital Salon", New York [USA]
"Art as Signal", Krannert Art Museum, U of I Champaign [USA]
"Hotel Interactional", Gallery Otso, Helsinki [FIN]
"ISEA 95", Montreal, Quebec [CDN]
"Digital Mediations", Art Center College of Design, Pasadena [USA]
"Interaction 95", Gifu, Japan [J]
"Unpredictable Memories", Capp Street Project, San Francisco [USA]
"Press/Enter", Power Plant, Toronto [CDN]
"Techne", Los Angeles Center for Photographic Studies [USA]
"Biblio Vertigo", Northern Illinois University, DeKalb, Illinois [USA]
"LAC Project", Montreux [CH]

1994
"ThreeVisions", Carpenter Center, Harvard University, Cambridge MA [USA]
"Color in the Shadows", California College of Arts & Crafts Oakland [USA]
"InterActive", Works Gallery, San Jose [USA]

1993
"Iterations", International Center of Photography, New York [USA]
"Montage", International Festival of the Image, Rochester, New York [USA]
"A New Sensation", Seybold Conference, San Francisco [USA]

1992
"Facing the Finish", San Francisco Museum of Modern Art [USA]
"Contemporary Arts Forum", Santa Barbara [USA]
"Art Center College of Design", Pasadena [USA]

1991
"Le Printemps de PRIM", PRIM (Productions Realisations Independantes de Montreal), Montreal [CDN]

1990
"Bay Area Media", San Francisco Museum of Modern Art [USA]
"Fifteenth Anniversary Show", New Langton Arts, San Francisco [USA]
"Inner Tensions", Pro Arts Open Studio, Emeryville [USA]
San Francisco Cinematheque, San Francisco [USA]

1988
Grey Art Gallery and Study Center, New York [USA]

1986
Athens Film Festival, Athens [GR]
Red Victorian Theater, San Francisco [USA]

1985
American Independent Feature Film Market, New York [USA]

1984
International Festival of New Cinema, Montreal [CDN]
Coastal Extremes, San Francisco und Boston [USA]

1983
International Avant-Garde Festival, Paris [F]
Big Video Show, DeCordova Museum, Lincoln [USA]

1981
International Electronic Music Festival, Brussels [B]
Big Video Show, DeCordova Museum, Lincoln [USA]

1980
San Francisco International Video Festival, San Francisco [USA]

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Werke in öffentlichen Sammlungen ::

Whitney Museum, New York [USA]
San Francisco Museum of Modern Art SFMOMA, San Francisco [USA]
San Jose Museum of Art, San Jose [USA]
University Art Museum, Berkeley [USA]

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Bibliographie ::

Renov, Michael: Documentary Disavowals, or ,The Digital, Documentary and Postmodernity, Polygraph #13, 2001; Sturken, Marita The Space of Electronic Time, Space Site Intervention, Erika Suderburg [Hg], Universitsy of Minnesota Press, 2000; Rogers, Sarah: Body Mecanique, Body Mecanique Catalogue, September 1998; Maclay, Catherine: The Art of the Elusive, San Jose Mercury News, 28. Juni 1998; Baker, Kenneth: Modern Art Redefined, San Francisco Chronicle, 11. Juli 1998; Sakane, Ituso: An Invitation to Interactive Art, Interaction 97 Katalog, März 1997; Cutajar, Mario: Jim Campbell at Art Center, LA Weekly, 13. Juni 1997; Sturken, Marita: Electronic Time: The Memory Machines of Jim Campbell, Afterimage, Ausgabe 25, Nr. 3, Nov./Dez. 1997; Willis, Holl: Jim Campbell at the Art Center College of Design, Art Week, Juli 1997; Wilson, William: Jim Campbell's Poetic Engineering of Choices, LA Times, 31. Mai 1997; Riley, Robert: Figuration and Intimacy in Electronic media, Press Enter Katalog, April 1995; Dompierre, Louise: Pools of Reflection, Press Enter Catalogue April 1995; Rapoport, Sonya: Bay Area Cyber Art, Leonardo, 28. Ausgabe, 1995; Baker, Kenneth: Times Shifting Sawdust, San Francisco Chronicle, 01. Juli 1995; Morse, Margaret: Tender Technology, Art As Signal: Inside the Loop, Katalog, Februar 1995; Watten, Barrett: Science Fair: Color in the Shadows, Artweek 25, Nr.4, 17. Februar 1994; Patterson, Tom: Video Installation is Intriguing, Winston-Salem Journal, 24. April 1994; Jenkins, Steven: A conversation with Jim Campbell, [Interview] Artweek 25, Nr. 4, 17. Februar 1994; Davis, Randal: Wired Interactive at Works, Artweek 25, Nr.22, 17. November 1994; Cornwell, Regina: Interactive Art: "Touching the Body in the Mind", Discourse 14.2, 1992; Riley, Robert: Remodeling, Facing the Finish Katalog, April 1992; Marchessault, Janine: Incorporating the Gaze, Parachute 65, 1992; Baker, Kenneth: Monitoring the Art Circuit, San Francisco Chronicle, 27. November 1992; Morgan, Anne Barclay: Interactivity in the Electronic Age, Sculpture 10, Nr. 3, Mai/Juni 1991; Lepage, Jocelyne: Le Printrmps de PRIM: les arcade culturelles de l'avenir, La Presse [Montreal], 25. Mai 1991; Bonetti, David: Modernism Goes International, San Francisco Examiner, 20. September 1991; Carriere, Daniel: Quand Les Machines Revent, Le Devoir [Montreal], 18. Mai 1991; Baker, Kenneth: The End Is the Thing at the Modern, San Francisco Chronicle, 21. September 1991; Reveaux, Tony: Polytechnical Diversity, Artweek 21, no.15, 19. April 1990; Anbian, Robert: Reflections on "Bay Area Media", Release Print 13, Nr.4, Mai 1990; Baker, Kenneth: Artists Channel Bay Area Environment, San Francisco Chronicle, 25. März 1990; Baker, Kenneth: A Striking Video Chops Up Streisand, San Francisco Chronicle, 09. August 1990; Fish, Tim: Art of the City, Santa Rosa Press Democrat, 13. April 1990; Jan, Alfred: Video Installations at New Langton Arts, Visions Art Quarterly 5, Nr. 1, 1990; Benet, Carol: The Arts: The Bay Area Media Show Takes Video to the Edge, The Ark [Tiburon, CA], 11. April 1990; Silvia, Elio: Allucinazioni e Contatti Profondi, Il Sole-24 Ore [Milan], 22. April 1990; O'Conner, Rory J.: From Dada to Data: Programming In, Fine Art Out, San Jose Mercury News, 23. März 1990; Soe, Valerie: SFMOMA probes man's relationship to technology, Film/Tape World, Nr. 3, April 1990

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Linkempfehlungen ::

-> Ausstellung "Transforming Time", [Tempe: Arizona State University Art Museum, 1999]:
http://www.ackland.org/art/exhibitions/illuminations/image1.htm

-> Werdegang, Werkbeschreibungen:
http://www.hosfeltgallery.com/JimCampbell/
http://vv.arts.ucla.edu/terminals/t1/ucsc/campbell/campbell.html
http://www.fondation-langlois.org/f/projets/333-5-2000/artiste.html

-> Dana Self, Kuratorin der Ausstellung "Jim Campbell: Digital Watch" [Kemper Museum of Contemporary Art & Design, 1997] über das Werk Jim Campbells:
http://www.kemperart.org/dwessy.htm

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