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Referring to Alfred Hitchcocks film Dial
M for Murder [1954], Daniel Egg features in his work Box
3 "Dialog" a medial construction of reality. Egg analyses
subjective relations and mechanisms of gender constructions reflected
in the media. He studies the »mirror image« and »reality«
in their own medial characteristics, and reveals the interactions
within their spatial aspects. Cross fading video images onto a real
tape deck with the help of a semi-transparent mirror generates a
visually perfect synchronism, resting somewhere between the real
and the virtual.
The dialogue underlaying the installation is taken from the film,
featuring both the voice of a man and a woman. The artist is replacing
the cinematic moment of location shift, represented in the film
by a traditional cut, in his work with the ritual of the changing
of an audio tape. Following the rhythm of the film cuts the male
or female person changes the tapes. Thus the women activates her
voice through the action of her hands with which she stops the mans
voice by switching the cassettes, and vice versa. From present and
absent, from real and virtual, the seeds of telematic culture are
then be ordered as classic odd couple, man and woman, shifted
in metaphor from image to sound.
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