 |
Michael
Naimark
-> Arbeit
in FUTURE CINEMA
[USA]
Computerwissenschaftler, Medienkünstler
* 1952, Detroit [USA]
lebt und arbeitet in San Francisco [USA]
Michael Naimark experimentierte
früh mit Computertechnologien. Erste Versuche mit Kombinationen
aus Film und interaktiven Steuerungen führten zu Studien über
die Navigation in weiträumigen Arealen. Thema seiner Arbeiten
ist das im Umgang mit dem Werk erfahrbare Verhältnis zwischen
punktueller Verortung und abstrakter Wahrnehmung komplexer Raumgefüge.
Ausbildung
| Auszeichnungen/Stipendien | Einzelausstellungen
| Gruppenausstellungen | Projekte
| Bibliographie | Linkempfehlungen
Ausbildung
::
1974
Bachelor of Science [Cybernetic Systems], University of Michigan
[USA]
1979
Master of Science [Visual Studies and Environmental Art], Massachusetts
Institute of Technology [MIT], Cambridge, Mass. [USA]
^
Auszeichnungen
und Stipendien ::
[Auswahl]
Rockefeller Foundation Creativity
and Culture grant, New York [USA], 2002-03; World Technology Summit
Award for the Arts, New York [USA], 2002; Gasttkünstler, Institute
of Advanced Media Arts and Sciences [IAMAS], Gifu [J], 2001-02;
Gastkünstler, "Art and Virtual Environments," Banff Centre
for the Arts [CDN], 1993; Erster Preis [SFAI Immersive Virtual Environments
class], Futures Scenario, ACM SigCHI, Monterey [USA], 1992; Gastkünstler,
"Bioapparatus," Banff Centre for the Arts [CDN], 1991; Gastkünstler,
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe [D],
1990; Spring Show Award [Virtual Environments class], San Francisco
Art Institute, San Francisco [USA], 1989; Gastkünstler, Exploratorium,
San Francisco [USA], 1987; Erster Preis, SECA "Film as Art," San
Francisco Museum of Modern Art [USA], 1984; Media Arts Fellowship,
National Endowment for the Arts [USA], 1980; M.I.T. Council for
the Arts Grant [USA], 1979/1978.
^
Einzelausstellungen
::
[Auswahl]
2001
San Francisco International Film Festival und San Francisco Museum
of Modern Art [USA]
1995-96
Yerba Buena Center for the Arts, San Francisco [USA]
1995
Berkeley Art Museum / Pacific Film Archive, Berkeley, Cal. [USA]
Métro Paris, Station Madeleine
[F]
1984
Bruce Velick Gallery, San Francisco [USA]
1984
San Francisco Museum of Modern Art, San Francisco [USA]
1980
Center for Advanced Visual Studies [CAVS], MIT, Cambridge, Mass.
[USA]
^
Gruppenausstellungen
::
[Auswahl]
2001
"ArtSale 2001", The Lab, San Francisco [USA]
1998
"Exploding Cinema", International Film Festival, Rotterdam [NL]
1997
"Art in the Anchorage", Creative Time, New York [USA]
Dallas Video Festival, Dallas Museum of Art [USA]
1996
"Digital Bayou", Siggraph '96, New Orleans [USA[
1995
"Interaction '95", International Academy of Media Arts and Sciences
[IAMAS], Gifu [J]
1994
"International Symposium on Electronic Art [ISEA] 94", Museum of
Contemporary Art, Helsinki [FIN]
Walter Phillips Gallery, Banff Centre for the Arts [CDN]
1993
"MultiMediale 3", ZKM | Zentrum für Kunst und Medientechnologie
Karlsruhe [D]
1992
"The Culture and Science of Finding Your Way", Exploratorium, San
Francisco [USA]
"Images du Futur '92", Montreal [CDN]
" Triennale di Milano", Mailand [I] 1991
"MultiMediale 2", ZKM | Zentrum für Kunst und Medientechnologie
Karlsruhe [D]
"Art and Multimedia", Center for Advanced Visual Studies (CAVS),
MIT, Cambridge, Mass. [USA]
1989
San Francisco Art Institute, San Francisco [USA]
Kanagawa International Art and Science Exhibition, Kanagawa [J]
1986 "Art New Vision '86," Nippon
High Technology Arts Festival, Tokio [J]
1984
"San Francisco International Video Festival", San Francisco [USA]
1983
"Siggraph '83 Artshow," Detroit [USA]
1981
"CenterVideo," Kölnischer Kunstverein [D]; Kunsthaus Zürich
[CH]
1977
"Documenta 6," Kassel [D]
^
Projekte
::
[Auswahl]
"Camera Zapper", 2002 [Forschungsprojekt zum
Thema überwachung]
(Institute of Advanced Media Arts and Sciences [IAMAS], Gifu)
"VR Webcam Study", 2002 [Studie]
(Institute of Advanced Media Arts and Sciences [IAMAS], Gifu)
"Kundi.com", 1999-2001 [Internetprojekt]
"Dimensionalization Studies", 1994-98
"Be Now Here", 1995.97 [3D Panorama-Installation]
(UNESCO World Heritage Centre, Paris)
"See Banff Kinetoscope", 1993-94 [3D Moviemap-Installation]
(Banff Centre for the Arts)
"Field Recording Studies", 1992-93
(Banff Centre for the Arts)
"Karlsruhe Moviemap", 1991 [Interaktive Installation]
(ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe)
"Virtuality Inc.", 1990 [Video]
(San Francisco Art Institute)
"Globe Theatre Simulation", 1989 [Video]
(Apple Multimedia Lab)
"EAT", 1989 [Virtuelles Environment]
(San Francisco Art Institute)
"El Camino", 1988 [Moviemap-Projekt]
(Apple Multimedia Lab)
"Golden Gate Flyover", 1987 [Moviemap-Projekt]
(Exploratorium, San Francisco)
"Paris VideoPlan", 1986 [Moviemap-Projekt]
(RATP [Paris Metro])
"Displacements", 1980-84 [Film-Installation]
(San Francisco Museum of Modern Art)
"Ifugao Question Journal", 1983 [Ethnographisches
Forschungsprojekt]
(Atari Research)
"Eyepiece", 1979-83 [Film-Installation]
(Center for Advanced Visual Studies, MIT)
"Aspen Moviemap", 1978-79 [Interaktives Videodisc-System]
(Architecture Machine Group, MIT)
"Environmental Media Studies", 1977-79 [Filmprojektionen]
(Center for Advanced Visual Studies, MIT)
^
Werke in Museen uns
Sammlungen ::
[Auswahl]
American Museum of the Moving
Image, New York [USA]; ZKM | Medienmuseum, Karlsruhe [D]; Exploratorium,
San Francisco [USA].
^
Bibliographie
::
° Publikationen von
Michael Naimark ::
[selected]
"VR Webcams: Time Artifacts as Positive Features",
in: ISEA 2002 Proceedings, Nagoya, 2002; "Field Recording
Techniques for Virtual Reality Applications", in: VSMM '98 Proceedings,
Gifu, 1998; "Art ('and' or 'versus') Technology: Some Personal Observations",
in Sommerer, Christa [Hg.]: Art@Science, Wien/New York: Springer,
1997; "A 3D Moviemap and a 3D Panorama", in: SPIE Proceedings,
vol. 3012, San Jose, 1997; "What's Wrong with this Picture: Presence
and Abstraction in the Age of Cyberspace", in: Consciousness
Reframed Proceedings, CAiiA, University of Wales, Newport, Wales,
1997; "Interactive Art: Maybe it's a Bad Idea", in: Leopoldseder,
H./Schopf, C. [Hg.]: Cyberarts, Wien/New York: Springer,
1997; "Field Recording Studies", in: Moser, Mary Anne: Immersed
in Technology, Cambridge, Mass.: MIT Press, 1996; "Excavation
Aerea: A Virtual Gallery of Archaeological Art" [Japanese], in:
InterCommunication, no.14, Tokio, 1995; "Interactive Art
and the Myth of Everything-ness", in: Gerbel, Karl/Weibel, Peter
[Hg.]: Ars Electronica '94 - Intelligente Ambiente, Linz
1994; "Artists Explore Virtual Reality: The Bioapparatus Residency
at the Banff Centre for the Arts" [mit Warren Robinett], in: Presence,
MIT Press, 1992; "EAT - A Virtual Dining Environment" und "VBK -
A Moviemap of Karlsruhe", in: Tomorrow's Realities - Siggraph
1991, Las Vergas, 1991; "Moviemap Basics", in: ZKM | Zentrum
für Kunst und Medientechnologie Karlsruhe [Hg.]:MultiMediale
2, [Ausst. Kat.], 1991; "Realness and Interactivity," in: Laurel,
B.: The Art of Human Computer Interface Design, New York:
Addison Wesley, 1990; "Media Glasses, Media Windows and Media Doors",
[Kat. Kanagawa International Art and Science Exhibition], 1989;
"The Optical Videodisc and New Media Forms", in: Video 80,
San Francisco International Video Festival, 1982; Spatial Correspondence,
[Abschlußarbeit d. Mater od Science-Studienganges], Visual
Studies, Massachusetts Institute of Technology, 1979.
^
Linkempfehlungen
::
- > Michael Naimark : Homepage
http://www.naimark.net/
- > Übersicht zu im Netz
publizierten Texten
von M. Naimark
- > Michael Naimark: "The
Karlsruhe Moviemap", 1991 [Interaktive Installation]
^
|
 |