Group 3 | Film, Language and Reality: How Does a Movie Move?

»Bir Zamanlar Anadolu’da«

Film reproduces moving images of reality. But what exactly is an image of reality in movement? And what is an image at all? Furthermore, which kind of emotions are conveyed by these moving images of reality?

A

Mathew Abbot
»Against Moral Blindness | The Look of Silence and the Problem of Monstrosity«

B

Anna-Maria C. Bartsch

»Disgust in philosophical film theory«

 

Lucy Bolton

«”Love is the extremely difficult realisation that something other than oneself is real” | Moral Realism in "Once Upon a Time in Anatolia"«


 

E

Tobias Eichinger

»Adding reality to reflection | Documentary film narratives in the bioethical discourse«

 

F

Sonia Front

»It’s the new me | Multiple Realities in Duncan Jones’s Source Code«

G

Mauricio Gonzalez

»Res Nullius in film. Towards an ethos of »second technology« | On the wake of some cuts in Glauber Rocha«

H

Katia Hay
»Film, Reality and Repetition«

J

Andreas Jacke

»Experiencing Fear and Angst - their Psychoanalytic Meaning and Interpretation through the Theoretical Reception of Contemporary Fictionary Films

 

R

Orna Raviv

»Who is the Cinematic Other?«

 

Richard Rushton

»Three propositions on filmic reality«

S

David Sorfa

»The Reality of Preston Sturges, or, The Realists, They Are a Funny Race«

 

Philipp Schmerheim

»The Real of the Database | The World of Film Transformed into Code«

 

T

Maria-Teresa Teixeira

»Time and Film«

 

Bodil Marie Stavning Thomson

»Lars von Trier's diagrams of affect 1990s till 2014«

W

Flannery Wilson

»The Ethics of Visual Storytelling | A promise to deceive«