Group 1 | The Real and the Reproduction of Reality

Delphine Seyrig in »L'année dernière à Marienbad«

According to Stanley Cavell, the photographic reproduction of reality constitutes an ontological puzzle, which is reinforced by film. Yet what of reality exactly is reproduced by film and what can film and its analysis contribute to the philosophical debate on the real? What does it say about reality to be reproducible?

B

Rok Benčin

»Cuts in the Universal Undulation | Deleuze, Badiou and the (Anti)Representational Event(s)«

 

Lucy Benjamin
»Authenticating Reality | The Return of Black and White Cinema«

 

Johannes Bennke
»The documentary real | The Films of the Sensory Ethnographic Lab and the conversion of Media Philosophy«

 

Thorsten Botz-Bornstein
»The Reality Problem in Tarr’s Werckmeister Harmonies«

C

Emre Caglayan

»Realism Reconsidered: Slowness as Real Time Cinema«

 

Nina Cvar

»From Passion towards the Real to Plastic Image | Spectres of Reality of Neoliberal Global Capitalism«

D

Matt Dill

»Reviving Bazin’s Re-Presentationalist Realism | A Response to Carroll’s Critique«

G

Sara Tiago Gonçalves

»Bazin and Arnheim | a discussion between realism and illusionism in cinema«

H

Idis Hartmann

»The bullet-time effect in The Matrix from a systemic perspective«

 

 

J

Karin Janker

»Images of Reality and the Dream of Total Cinema«

 

Blandine Joret

»From "showing" to "signifying" | Stereoscopy and the "Language of Objects"«

M

Natalija Majsova

»When Wolves Live up to Love | Sigarev’s Events and their Cinematic Worlds«

 

Matthew McGinity

»Alien modes of being-in-the-world and the phenomenology of virtual reality«

 

Ana Dishlieska Mitova

»Philosophical Film Festival | Promoting Dialogue between Philosophy and Film in Macedonia«

N

Bogdan Nita

»The (neutral) reality of film between will-to-be and will-to-exist«

 

Glen W. Norton

»Stanley Cavell | Temporality, Perfectionism and the Cinematic "Lebenswelt"«**

R

Mahmoud Rasmi

»Cinematic Imagery and the Return to Reality | A Peak into the Tarkovskian Zone«

 

Marko Rojnić

»The illusion of reality of cinematic motion«

S

Jasmina Šepetavc

»The Queer Event | Queer Temporalities & New Queer Cinema«

 

Emoke Simon

«The difference between fiction and documentary«

 

Mario Slugan

»Why Analog Photography Enjoys Privileged Access to Reality | Bazin’s Identity of the Model and Its Photograph as an Alternative to Indexicality«

 

Martin Stefanov

»The Recreation of the Real. Montage in Benjamin, Adorno, and Deleuze«

 

V

Goran Vranešević

»Cinema: Reality of Beauty«

W

Birk Weiberg

»From Studio Spaceto Globalized Space | Aestheticsand Practicesof Analog Image Compositing«