Artemi – Maria Gioti

Feminale of Music

Artemi – Maria Gioti is a composer and researcher working across the disciplinary boundaries between art, science and technology. Her research interests include computational intelligence, musical robotics, sonification, as well as collaborative and participatory sound art.

Artemi – Maria Gioti is born on April 13, 1990 in Greece, she currently lives and works in Graz, Austria. Her compositions consist of works for solo instruments, ensemble, live and interactive electronics and have been performed in Greece, Austria, Portugal, Germany, Denmark, The Netherlands and in the USA. One piece of Gioti is called »Temperatures« and she was awarded the KlimARS Prize in 2016. It is based of sinifictation and audification of climate data. She has worked with some temperature curves of the European seas and audified them which means she read these temperature curves as sound. Gioti also sonified them which means she has mapped these values into parameters that control the overall structure of the piece. Especially in the third part you can exactly hear how these curves developped.

She studied Composition at the University of Macedonia (Greece), Electroacoustic Composition at the University of Music and performing Arts of Vienna, and Composition – Computer Music at the Institute for Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz. She is currently pursuing her doctoral degree at the same university. Since 2018 she is the Principal Investigator of the artistic research project Inter_agency, hosted at the Institute of Electronic Music and Acoustics (IEM) in Graz and exploring the potential of Artificial Intelligence and Machine Learning for electro-instrumental composition. She is a member of the electronic duo intra-sonic (Artemi – Maria Gioti and Visda Goudarzi). Together with Kosmas Giannoutakis, she developed and moderated the CECIA project (Collaborative Electroacoustic Composition with Intelligent Agents), where she implemented the machine learning algorithms into the project. CECIA is part of the Interfaces project, which took place within the Creative Europe framework of the European Commission and was funded by the EU. The world premiere of CECIA took place on December 14, 2019, at the festival »Sonic Experiments: Telematics« organized by ZKM | Hertz-Lab. Furthermore, Artemi – Maria Gioti received the Giga-Hertz-Production Award of ZKM | Karlsruhe in 2019.

Music pieces

Imitation game for human and robotic percussionist recorded for the Giga-Hertz-Award 2019, concert on 23.11.2019: Manuel Alcaraz Clemente (percussion) and Nicolae David (videography).

Symbiosis for double bass and interactive electronics published by Artemi – Maria Gioti and played by Margarethe Maierhofer-Lischka (contrabass).

Privacy notice

By clicking the button, you consent to the processing of your personal data by Google Ireland Ltd. pursuant to Art. 6 (1) sentence 1 a) DSGVO. You can withdraw your consent at any time with effect for the future.
Further information

Display YouTube Content

or watch the video on YouTube

Converge/Diverge published by Artemi – Maria Gioti, played by Florian Müller (piano) and Nikolaus Feinig (contrabass from Klangforum Wien), Nicolae David (videography).

Privacy notice

Display YouTube Content

or watch the video on YouTube

Interview Artemi – Maria Gioti and presentation of her work »Temperatures« published by CCCA-Climate Change Centre Austria. Artemi – Maria Gioti is KlimARS2016 award winner.

The work for multi-channel media is based on the sonification of data on climate change provided by the European Environment Agency.

Privacy notice

Display YouTube Content

or watch the video on YouTube

SWR

Website

Disclaimer

- Links to external websites of other providers
- Expand
- The ZKM’s express objective is the accuracy and current relevance of any information it makes available on this web site. Mistakes and ambiguities cannot, however, be fully excluded. For this reason, the ZKM is unable to fully guarantee the current relevance, accuracy, completeness or quality of the information it makes available. The ZKM is not subject to coercible legal rules and regulations and to any kind of damages of a material or immaterial nature that may possibly be caused by the use or non-use of the information provided, including free downloads. The ZKM reserves the right to change or delete, to temporarily or permanently suspend access to the web sites at any time.
  The responsibility for »external content« to which access is made, in the form of e.g., links, presupposes, among other things, positive knowledge of illegal or punishable content. The ZKM has no influence on this external content and entirely distances itself from such content. Should the displayed external web site include unlawful or offensive content, the ZKM expressly distances itself from such content. When made knowledgeable of such content, the ZKM will deactivate the corresponding link. The same holds for external entries contained in Blogs and discussion forums, links directories, mailing lists and all other forums of databanks operated by the ZKM, the content of which is rendered possible via write access.
  All content of the present web site (texts, images, video stills, videos, audios, graphics etc.), the structure as well as the layout of this web site is protected by copyright. These contents, and the information made available by the ZKM (e.g., text and image materials) are available exclusively for individual usage by users of this web site, and not for commercial purposes. These contents may be distributed and copied, made public on the Internet and used for commercial purposes only with the prior consent of the ZKM. Similarly, the placing of deep links, inline links, frame links or similar links in which the ZKM web site is not clearly evident as source, is permitted only with the prior consent of the ZKM. Messages and references to content »share« in social media (e.g. Facebook) do not come under the proviso of this reserve approval. For press releases and photographs valid instructions for usage can be found at: www.zkm.de/en/press/service.
  All labels and trademarks named and protected by third parties are subject to the unreserved stipulations of the respective registered owners. That trademarks are not protected by third part rights cannot be assumed merely by mention of the name.
  This disclaimer is to be understood as part of the ZKM’s Internet content. In so far as part or single formulations of this text do not, are no longer or are do not entirely correspond to this legal provision, the remaining parts of this document remain unaffected in its content and validity.

The text »Feminale der Musik« with two portraits of women, one lady in an 18th century painting and the second in a 20th century photograph.

FEMINALE DER MUSIK – Female Composers

Mon, April 06, 2020 – Fri, May 01, 2020, Festival
Online